Unlike Hoytema, a trademark of his is to have the background lit oppositely of the talent, giving spacial separation while remaining in close proximity. With thirteen Oscar nominations under his belt, he shows no sign of slowing down anytime soon. Deakins has proven to audiences to be a dependable artist and a top tier DP, a trend likely to continue with the upcoming Blade Runner sequel.Īs seen in the still above, Deakins overexposes the lit side of his subject’s face by a few stops. Working behind the lens since the late 1970s, Roger Deakins has established himself as one of the greatest cinematographers of all time. Watch out for Hoytema’s upcoming work on next year’s Dunkirk. This technique (plus minimal backlighting) isolates his characters from their surroundings, calling attention to emotion and action rather than the background. He often shoots very wide with a shallow depth of field. As for focal lengths, his favorite for close-ups and mid-shots is 35mm, which, if you were shooting on a DSLR, would be a 50mm lens. He doesn’t overexpose character faces like most cinematographers his backgrounds are almost always the same light levels as their faces. With David O’Russell taking notice soon after, he enlisted the young cinematographer for The Fighter. With recent credits like Spectre, Her, and Tinker Tailor Soldier Spy, Hoytema made a name for himself shooting Let the Right One In. Most notable for his work on Interstellar, Hoyte Van Hoytema has achieved mainstream success in the past few years. Let’s take a look at some working DPs who excel at establishing their look with each new film they shoot. Some focus on character before atmosphere and vise versa, but every cinematographer sees the world in a different way and they allow us to step into their head for a few hours. Some cinematographers have an instantly recognizable look for each of their films. Some pretty amazing things can happen when a director and cinematographer click. In my opinion, a film and a film’s director are only as good as the director of photography working on the film. Directors often have cinematographers they prefer to collaborate with - think the Coen Brothers and Roger Deakins. One thing masterful filmmakers have is the ability to create a believable world, one that invites audiences in while telling an enthralling story worth revisiting. When you think of your favorite working filmmakers, be they directors or cinematographers, what’s the first aspect of their work that comes to mind? A specific scene in one of their films? The music from their films? Maybe the feeling you had when watching their work for the first time? Follow in the footsteps of today’s top cinematographers by creating and maintaining your own unique vision.
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